Arriflex Carl Zeiss standard speed primes

24mm T2.1

50mm T2.1

85mm T21

Any industry staple. An image you just cant fault. Endless classic modern cinema pieces lie at the feet of these work horses. Check image to your right, even the boss uses these lenses.

For the balance of the film, however, Pecorini shot with Zeiss Standard Speed prime lenses. “I love the Zeiss primes: you can have unbelievably violent kicks from backlight, but those lenses just don’t care. That’s a great quality, especially if you work at [a stop of] T2.6 or 2.7, like I do. I drive my focus pullers crazy with those kinds of stops.”Nicola Pecorini - Fear and loathing in Las vegas